Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Saturday, 23 June 2018

Musical - Hairspray

Well I wasn't expecting to be writing about a trip to the theatre so soon after having Bonnie!  John very kindly bought me a ticket to see Hairspray in Oxford as a treat for looking after our little girl.  This was rather sooner than I would have left Bonnie (nearly 3 months old), but John wanted me to have a good time so I thought I would do my best not to think too much about what might be going on at home and enjoy the show.

I defrosted some milk, having no idea whether Bonnie would drink from a bottle or cup.  I fed her at 6.30 and unusually she fell asleep so I popped her in her bed and set off.  It was funny dressing and thinking that I didn't need a nursing appropriate top and I had to find a handbag to take!  I cycled to the theatre which was the first time in a long time - and sadly my tires were rather flat.

I made it and got to my seat.  The balcony was closed and the circle probably only half full which I felt was rather a disappointment for such a fun show on a Friday night. The show was really good.  I was expecting to enjoy the show as I had seen it twice before and know the music well, but it pleased me more than I expected. There were quite a few songs that I had forgotten about and found myself singing along to (in my head).  I loved the colours, clothes, dance numbers and general spectacle.  You can't stop the beat is still a definite highlight.  I find the story line and politics most interesting, and although the character motives are highly undeveloped I guess that's not the point of a musical.

And amazingly I got home at 10.30 and our little one had slept the whole time!!  What a girl!

Sunday, 11 February 2018

Musicals - Woman in White and Phantom of the Opera

This was a very exciting day living the theatre-goers dream: I went to a matinee and then an evening musical!  I was keen to get in some musical time before baby makes an appearance.  I felt I wanted to see Phantom again in case it should close before I can easily head to the theatre again.  I was also interested that the Woman in White was having its first (limited run) revival since its debut in 2004.  I realised I could maybe do them as a double and asked Mum if she wanted to join me for either and was delighted that she said yes to both!

The Woman in White

I went for this for the matinee mainly because the reviews weren't as strong and I felt it would be better to end the day with Phantom on a high. Although this was the final day of the 12 week run for Woman in White so the evening might have been special as the final performance. I had read the novel since the show first was done and loved the book.  I couldn't actually remember much of the story line by now, I just remembered the feeling of racing through the book and being desperate for my next opportunity to read it.  I did a bit of research on the musical and the revival and learnt that it was now in a much more intimate theatre and the critics said that was a great improvement for the show.

 At the Charing Cross Theatre which was small but very pleasant and comfy seats (I may even have closed my eyes at points!) and leg room.

I enjoyed it although not as much as the book.  There weren't really any memorable songs and it was one of Andrew Lloyd Weber's operatic sort of musicals, quite like Phantom in many ways.  There was a comical number for the Count in the second half which was fun and stood out as different and a break from the rest of the show.  The staging with the train tunnel and the smoky fog was very good.

Phantom of the Opera

After a Garfunkel's tea it was on to Her Majesty's Theatre.  We were in the third tier and there was still a balcony above us.  We were pretty level with the chandelier which was exciting.  The contrast in the two theatres that day was great: one small, comfy and intimate; the second wonderfully grand and full of an audience speaking many different languages seem quite appropriate for the French Opera House. 

I had seen Phantom twice before, once probably as a young teen, and then with a friend in our gap year.  Mum remembered seeing it early when it came out (1986) and has now found the programmes of when she went.
The opening scenes and music lived up to the hype I had given them and Mum and I clutched hands excitedly.  I do find the whole fact of the chandelier magnificent.  I had read the book at Christmas so was slightly more aware and interested in how they did the story line.  I think I prefer the story in the musical perhaps.  There are lots of good and memorable and especially rousing songs in Phantom which I really like and I am always a fan of grand staging so it was right up my street there.  I seem to remember thinking the second time I saw it, how surprised and impressed I was by the illusions in it.  That only really happened at the end this time, probably because I was looking out for it more. Interestingly, the more I have thought about Phantom since going, the more creeped out I have been by the show.  I don't think I will be going to see it again, but very pleased I went again while I still could to satisfy my curiosity and memory.

Tuesday, 26 December 2017

Musical - School of Rock, again

I did enjoy going to see School of Rock in March.  I loved the feeling of being so uplifted and impressed with the performers.  John then suggested they perform it as their end of Year 6 production.  It was quite an effort but suited the year group well and I really enjoyed getting to listen to the songs again.  And my class loved watching it and we recreated it lots in the classroom! 

I decided I wanted to see it again and suggested to my girl friends that we might like to go as part of our Christmas outing.  They were all game so we went on Friday 1st December.  First we went to the soft opening of a steak restaurant.  It made me feel very hip and trendy to be going to a soft opening!  And it really was just opening.  They were still putting signs up outside and taking covers off chairs.  We had a funny time when we sat down at our table and tried to order from the menu.  It seemed everything we decided on then wasn't available!  We couldn't really complain though as we knew it was a the soft opening and the food was going to be half price - a good job really as the steaks were £30-something and then the sides were extra.  The restaurant did start to smoke up, but we enjoyed our food and our time.  We were then utterly gobsmacked when the bill for the 4 of us came to £27...??? It turned out that all the food was on the house - £150 off our bill.  We wished we hadn't shared the sides!!

Then it was on to the show.  I enjoyed sharing my knowledge of the theatre and Andrew Lloyd Weber and trying not to give to much away.  The show was good again and I was pleased to get up and dance at the end.  There were a few minor differences that I noticed from the songs (which I now know so well!) and from last time.  Dewey seemed more a physical actor this time and didn't do the very high singing at the end.  The girls seemed to enjoy it which pleased me greatly and we listened to the soundtrack the next day in the car. My fave songs were still You're in the Band, Stick it to the Man and the only ALW sounding song, the ballad Where Did the Rock Go.

This was the first one on my list that I was hoping to see before life changes in March!  I also hope to see Phantom (having just read the book) and The Woman in White which is back for a limited run.

Sunday, 2 April 2017

Musical - School of Rock

It's been a while since I've written one of these posts!  Exciting times again!  We had had a date in the diary for a while to meet the friend we saw Billy Elliot and Charlie and the Chocolate Factory with.  Not until two days before did they decide and book tickets for us to see School of Rock.  I hadn't really been involved in the discussions for it so hadn't enjoyed the anticipatory build up, but I did find a dress to wear to school that day!

We met at a restaurant, Joe Allen, in theatre land and it seems to be the place for pre-theatre goers.  It was a big basement area covered head to toe in theatre land posters!  I'd like to go again and take it all in!

We headed over to the New London Theatre which John (jokingly, but accurately) described as an NCP car park.  I mentioned that it was the first ever West End theatre I went to to see Cats.  The theatre was boldly decorated on the outside but I'd filled the space on my phone so didn't manage to get a photo.  Just this (rather poor) one of the inside from our seats.
I loved our seats.  It really felt like we were so close to the action.  We could see all the spit coming out of the lead's mouth as he enunciated - yuk!  We were also the front row of the second part back of the stalls which meant comfy leg room.  It really felt like a great theatre for this show which was so much of a performance.  Not sure actually if that makes sense or is true, but I know I really loved it!

I had seen the film around the time it came out over 10 years ago now and I think I had vaguely heard that it was being made into a musical.  Two weeks ago I was enjoying an unknown song on Elaine Paige on Sunday and was then surprised to discover it was from School of Rock and that Andrew Lloyd Webber had something to do with it.  And that was all I knew!

On to the show itself...

It started with an announcement that I was surprised to find out was Andrew Lloyd Webber (felt I should have recognised his voice!).  He (pre-recordedly) welcomed us and said the question that is asked most often is 'are the children really playing the instruments live and the answering is a definitely "yes they are"!

Then the show started and it was a wonderful evening of enjoyment.  R noted at the break that the pace was really good and I realised that was exactly what I'd been thinking without knowing enough to put it in to words.  It was just continually enjoyable and didn't have any lows.  Most scenes slid from to another without ending for applause  and the scenery was always changing so it just kept rolling.  Not being a rocker myself ;-) I couldn't really buy the whole 'stick it to the man' thing, but I still had a great evening and sung 'stick it to the man' most of the way home!

I enjoyed the moment that the girls were auditioning by singing a snippet of song and the last girl sang 'Memories' and he said 'let's get one thing clear - that song will never be heard in this building again' and there was a great knowing laugh from the audience.  I'd love to know if that bit is in the film; I kinda feel that it is.  And I was very interested to find out in my wikipedia-ing that School of Rock was the first ALW since Jesus Christ Superstar in something like 1971 to open on Broadway before the West End, and that it's playing on Broadway in the theatre that housed Cats for 18 years!  Coincidence?!?

I loved watching the kids join the band 'you're in the band' and watching them play was absolutely amazing - another plus of our great seats being able to see them so clearly.  Katie on bass was great with her pout and I really enjoyed the energy of the backing dancers.  Tamika's singing in the second half blew everything out of the water for me!  I'd love to know how and when the kids started playing their instruments.

I couldn't really figure out how 'where did the rock go?', the song from EPOS was going to come in, but it did and I really enjoyed it.  That was the only song that sounded Andrew Lloyd Webbery to me and I feel it's right up there with my favourite of his ballads.   I like the thought of it becoming a classic.

I liked the way the kids were really the mean characters being on stage the majority of the time.  The adults were far more incidental and I feel only Dewey Finn and possible the headmistress should have got a curtain call ahead of them.  It was a really great ending of the show.  The children went to perform at the Battle of the Bands and while they were performing I absolutely loved the way the house band, who had been playing up at the height of the circle to the side of the stage, got up leaving their instruments behind and leant over the side and were basically cheering on the kids band and doing the 'rock moves'.  I thought it was a really nice touch to show them appreciating the kids.  Either at the end of that, or the next number, some audience were up on their feet and I was willing enough people to do so so that I could and eventually I did and they told us to stay on our feet which I loved!  They did their battle of the bands encore number and then it was the curtain call where it seemed quite natural for Dewey Finn (who I don't think of as Dewey Finn but more as Jack Black) to introduce the characters and then he introduced the 4 lead kid musicians by real name which I thought again was a splendid touch.

All in all a jolly excellent evening.  I would like it to win the Olivier for best new musical next weekend or at least the special award where the children's band have been nominated.  I want to try and find a list of the kids we saw.

Friday, 30 September 2016

Musical - Cats (again!)

Here I am in the theatre writing my blog before the show has even started. Don't think that has ever happened before! I'm thinking of Grandma and Grandpa. I didn't think I would have theatre trips for a while after GYIL but thanks to them I am treating myself tonight. A few people wondered how many times I've seen Cats and it was kind of fun that I didn't really know - I said 5 or 6 and I'm hoping a look through this blog might help me confirm. It's the end of the fourth week back at school and although I was tired today, it was nice to be able to come. I cycled here (hopefully that will make sense when you've read a yet to be written blog, I'm hoping to do some of it during the interval) and I'm proud and a little ashamed that I had time to buy some chocolate from the newsagents nearby - including 5 cream eggs! Just going to anti-bac before it starts!! 

I chose my seat as I'm hoping that a cat will walk past me at the beginning. I was really excited when that happened last time I was here. Although I didn't really like the red led eyes things. I went for restricted view half way back in the circle. It's not as much of a reduction as it used to be, but I used Mr B's members card so I didn't pay booking fee - thank you! It's 19.36 so it really should be starting - oh it is!!!! 

Interval time. Having a great time. Old Deuteronomy is sitting on stage. I'm really glad Lizzie went with me last time we were here. The opening was very funny for me. I was excited waiting for the Cats and then I managed to forget them as all of a sudden they were here and I was watching them go down the stairs and I was very excited. And then one ran past in front of me to go off to the stairs to the stage and I got such a trill and was starting to well up and then all of a sudden another cat jumped in front of me and looked at me and I was all shocked and jumped and then was giggling away and then has he moved on I started crying with joy and emotion and a couple more cats came past surprising me but they didn't stop. I think what made it extra funny was that I'm mainly alone on my row so felt rather on display. I loved that I cried though as it made it feel more special. 

I definitely love the big numbers with all cats dancing on stage. I tried not to count how many there are all the time this time. Oh cats are appearing on stage!! 

So now I'm writing it on Sunday. Well that didn't get far - I'm now writing the following Saturday! I had such a fun time at Cats. And I loved how much I loved it. It got me thinking about how lucky I am having things that I know will bring me pleasure at any point in my life - and they are things I can do by myself: go to musicals, read Harry Potter, watch ER, think about going to Disneyland. 

I think most of my feelings around the musical were similar to the recent times. I loved the lively numbers, especially Mr Mistofeles, Skimbleshanks, Jellicle Ball/Cats. 'Touch Me' is the best spine tingling moment from Memories. I tried to read the programme over a guy's shoulder during interval to see who was playing Grizabella as there was quite a stir in audience when she came on. I looked online and she didn't seem to be a well known person. 

I did spend a little time what I would name a cat. Maybe Jellicle?! 

Sunday, 26 April 2015

Musical - Cats

Well, this is exciting that it makes my 5th visit to see this musical, the third one in London.  I heard last year that Andrew Lloyd Weber and the original team were putting it back on in the West End for a 12 week run at the London Palladium.  It was at the time the longest West End Musical when it closed on it's 21st Birthday in 2002 at the New London theatre.   It had done a few UK tours since then (a couple of which I had seen) but this was it's first time back in London. I was slightly disappointed that Nicole Scherzinger was cast as Grizabella, not because I thought she wouldn't be good, but because I thought she would over shadow the production.  Not long after it opened in December, the run was extended with Kerry Ellis taking over Grizabella so I decided to go see it after the change.  In fact I went to see it the day before it closed (Friday 24th April 2015) when someone else was doing it for the last two nights!  And she was magnificent... "TOUCH ME!"


It ended up being a sisters outing when they both said they would come up me  which was kind.  We were up in the balcony which involved a funny dash up to the top as they were saying 1 minute till starting when we arrived and got our tickets!  The set looked as impressive as ever and I liked the way it reached up to the circle to allow the cats to interact there.

I had heard there were some updates for this production.  I was pleased that the costumes and make up and choreography seemed the same as they are what make it I think.  I'd heard there was a rap, which turned up in Rum Tum Tugger which was slightly disappointing as I had so enjoyed his Elvis-ness the last time I'd seen it.  But the rapping and rude boy ness wasn't terrible.  I didn't notice any other changes so I'm interested to do some research to see what else I can find out.  I had hoped the Pekes and the Pollicles or Growltiger's Last Stand would be improved but they weren't great.  It was interesting that for a show I like so much it can have such low bits (those two the lowest, addressing and naming of cats, the others) and yet I can like the show so.  My favourites this time were still Jellicle Ball/Jellicle Cats, Mr Mistofellees, Skimbleshanks, with Jellicle Ball probs being the top this time; the music really filled the auditorium and there poss seemed some extra guitar?

The big news was that with sisters encouragement I was finally brave enough to go meet Old Deuteronomy  on stage at the interval.  I think it's amazing that he sits there for the whole interval.  An interesting quirk of the show.  I was too scared to do so when I was 5.  Admittedly it wasn't a life affirming experience; he seemed quite bored by the whole thing!  Reading in the programme, he had been Old Deut (as he signed himself) before it closed originally and all the UK tours so he must have done a lot of stage sitting!  Interestingly a lot of the cast had done the last UK tour which is the one I'd seen so I must have seen a lot of them.

They had some cool stuff in the front of house which we got to see on our epic trip down to the stage.  Catselfies on the way out after!








I wrote quite a few extra things after I started googling and reading things on the web, but somehow those bits didn't save.  I can't remember all of them, but I did spend a long time on the cats wiki and here is the information they give on the updated production...

The most prominent alteration is the re-branding of the Rum Tum Tugger into an urban street cat, replacing his solo in the self-titled song with a rap number.  Growltiger's Last Stand has been changed to a much darker, soft shoe shuffle number and the lover's duet cut entirely. The Gumbie Cat's dance break has been replaced by a longer and more technical tap number, as well as new music.
For the first time in a British production of Cats, Pouncival and Carbucketty are both ensemble, however the kitten named Pouncival resembles chorus cat George. As an easter egg for fans, the swings appear in the press photos dressed as characters who do not appear in this production - including Babygriz, Electra, and Pouncival.
The most obvious costume alterations have been made by the Rum Tum Tugger and Grizabella. Grizabella's costume has been subtly altered to resemble something Nicole Scherzinger would wear in her solo career - a corset and lace-up stockings worn under a fur coat which has been made lighter and more stream-lined. Rum Tum Tugger now wears a backwards ball cap, his hair in dreds, a vest top and harem pants with lots of gold necklaces. Growltiger and his Raffish crew have also had new costumes, now in shades of dark charcoal. There have also been tweaks to the designs across the ensemble, with less blocky, primary colours having been used. This is most apparent in Bombalurina and Jemima's costumes.

Back to me.  One thing I remember I wrote about was the floating tyre.  When Grizabella went up to the Heaviside Layer, she and Old Deut were on the giant tyre.  It was really impressive how high it went seemingly magically and reminded me of Chitty at the same theatre.

Musical - Return to the Forbidden Planet

Writing up to date as we went to see this last night, 3rd April 2015 (although now by the time I have finished and posting it's 26th April!)!  I had been to see it while I was at uni fairly on the spur of the moment when I was at home in the holidays in Malvern.  I didn't remember much about it, except that I loved it and wanted to go again the following night but didn't.  I remember loving the music (mainly rock 'n' roll hits) and being impressed with the performers who sang, acted and played loads of instruments on stage the whole time.  The only other things I remembered were that it was set in space and Brian May was recorded and appeared every so often on tv.

So there was quite a lot that was new to me last night.  I had had the dates in my phone for months for when it would be in Oxford and John generously bought us both tickets to go.  It turned out the story was based on the Tempest and that a lot of the dialogue was Shakespearean-esque, though I recognised a lot from Romeo and Juliet so I don't know where the rest was from.  When we entered the (less than half full) auditorium there were several cast as astronauts walking around the stage and they came down in to the audience. It started with the lights on with one of them giving funny safety announcements and then we had to practise 'reversing polarity'.  The words jogged something in my memory but I have no recollection of the whole audience doing actions.  And as seemingly everyone in the audience immediately did it, we felt that lots of people knew the show well.

It started really well with Wipeout.  The sound filled the theatre and they played really well and moved in time together cleverly.  Then it went in to a funny no gravity situation that was very effective.  Sadly those were the main highlights of the show.  I was equally impressed with the performers and loved spotting who was playing a new instrument - such variety: guitars, drums, keys, saxes, trombones, trumpets, various singers.  The story was definitely ridiculous.  I was excited for Great Balls of Fire, the only one I specifically remembered, but it didn't wow me as much as I hoped.   That is, until...

The encore...WOW!  It definitely made me want to start a post specifically about encores!  This would be right up there in the top 3.  This was when they really went for it and played music like crazy.  This is what must have made me think it was so good!  Most of the performers started to strip off part of the astronaut suits.  It was quite creepy to see the robot guy as only half a person!  And to me delight they redid Great Ball of Fire super duperly and I was able to do a standing ovation.  What a way to rock the end of the show!

Thank you John for taking me -  I won't make you go again!
  

Wednesday, 1 April 2015

Theatre - Curious Incident of the Dog in the Nightime















A 'cultural' outing with friends organised at New Year very pro-actively for Saturday 21st March.  I had read the book back in 2004 when everyone was reading it on the tube and there were posters on all the stations (same time at the Da Vinci Code).  I had enjoyed it then, and heard good things about it as a play, although when it came to the evening I realised that all I remembered was that the boy was autistic, there was a dead dog, he got the tube on the northern line and the chapters were numbered in prime numbers.  So it was quite enjoyable just from a learning the story point of view.  It was also amazing in terms of theatre.  The set was like the inside of a huge black box.  There were lots of lights on it, looking a bit like going in to the abyss in Star Tours.  They lighted up cleverly at different points to make different staging.  And I wasn't sure how it would transfer from book format to play, but they had a teacher reading Christopher's writing which worked well. There were some stand out set bits including the opening of the pit to be the tube line, walking down the escalators that came out of the wall, and Christopher spend a long time building a train track and then the train suddenly started moving!  Lots of people gave it a standing ovation which was well deserved.  After the curtain call, Christopher came back to explain Pythagoras' theorem which was a joke that had been made during the show and was funny and well received!  Various chairs in the auditorium had covers on them and little cards saying that Christopher had designated them prime number seats.  It said if your name added up to a prime number then you could go and get a prize and John was brave enough to do it.  It turned out both our names are prime numbers!

Clearing up at the interval!

It was at the Gielgud Theatre where it had moved to after the roof of the theatre fell in on the night i went to see Cats

Sunday, 4 January 2015

Musical - White Christmas

This was my Christmas present to John.  He really loved Tom Chambers in Strictly and we have watched his show dance with Camilla Dallerup many times and most especially his video of learning to drum and tap dance like Fred Astaire so often that it is now a family joke!







Tom Chambers was staring in White Christmas with Aled Jones and it turns out someone from the Bill for a special 8 week run over Christmas.  It finished last night which is when I got tickets for.  Sadly it wasn't a sell out but we thoroughly enjoyed it.  We didn't know the story and weren't really familiar with the songs.

I absolutely loved the sets - some of my favourites ever.  They changed often and after about half a dozen different sets I thought I ought to count how many but I was too involved with the show!  They were very full on sets and also it was a Vermont Inn which meant I loved the look of it any way.  There was lots of full on chorus dance numbers - John especially loved the tap dance ones, claiming it is his favourite type of dance.  I liked it when they tap danced on a little piano!  I thought the singing and acting was good too, being more impressed with the people I hadn't heard of before, including Betty and especially Martha.

 


Good times!

Musical - The Sound of Music

Very excited that this year Leicester Curve's Christmas production was the Sound of Music.  What a great choice, especially after our summer holiday in Salzburg.  And just the week before we broke up, the Year 5's had performed it at our school so it was definitely fresh in our minds. 

I had been to see it on stage in London when I was at uni at the time that the BBC and Andrew Lloyd Weber had done their 'How do you solve a problem like maria?' programme and Connie Fisher had won and was performing.  Although she was off for 2 weeks when we went as she had strained her voice!  I remember feeling it wasn't as good as the film as it turned out it was more like the original stage show before the film.  The songs were in a different order and there were extra ones for the baroness and they didn't have the puppet show. 

So in many ways I preferred it this time as I was half expecting those changes and indeed it was very like I remembered in London.  I was particularly excited as it was at the Curve and I dashed to the toilet before it started that I passed some nuns from the cast going in the opposite direction towards the stage!  The children were very good and I was particularly impressed with Captain Von Trapp as he sounded just like Christopher Plummer.  And I was very excited to find out in the interval that he had played Nick Jordan in Holby City who I had really liked!!

There was a funny bit where Maria is surprised by I think Brighitta so she exclaims and her exclamation made me and many in the audience in jump!  It was nice being the audience for the festival at the end though we all agreed that they didn't build the tension that much with the nazis and in the convent.  There was an interestingly huge picture back drop for the convent which was quite startling. 

The songs are so good - what a lot of great ones.  It was after buying the soundtrack last time I saw it that Lonely Goatherd became my favourite and still is.  Although I especially love it with the marionettes in the film.

Thank you for such a great Christmas present!

Theatre - Shakespeare In Love

This was an exciting pre-birthday adventure.  A few years ago Mum had given me theatre vouchers for my birthday and I had been quite particular about what sort of outing I spend them on.  This seemed to fit the criteria so the weekend before my birthday John and I headed to London and we invited Lizzie to go with us.

Shakespeare In Love has long been in my top 5 films and at the moment I would probably put it in the number one position.  I had heard they were making a play of it and I was in two minds about it.  Then I read a review in the week which said that the story had found it's natural home and it had four stars and said people would like it and if you liked the film then you would love it.  So that clinched it for me.

It was a fill that I remember watching when I was home sick from school and loving it all and crying so much (in a good way) at the end.   I loved that it was funny ('she has a cottage'), dramatic in a drama theatrical sense, a love story and it was the first thing I remember that made me think that Shakespeare wasn't all bad!

We went up to London for the matinee and sat in the stalls feeling very close to the action.  It was a great play with lots of lines direct from the film which I liked.  Though oddly, I didn't laugh out loud at those, I guess because I new they were coming, but there was the odd new line that I laughed at.  The staging was cool as it moved so you were either front of stage or back stage and I was very excited about being in the audience for the final production.  I was hoping that Queen Elizabeth would appear in our audience though.

Definitely a fun theatre time!

Saturday, 28 June 2014

Musical - Wicked ADD PHOTOS

Now I had to think about whether this would be the first Wicked post on the blog and indeed it is.  I first saw it 5 years ago (to the day I think) at the end of my PGCE year.  We had finished placement and we had a week before leaving.  I was to be in London for a friend's birthday in the evening and decided to treat myself to a matinee and Wicked it was.  I knew it was popular and I liked it, but didn't love it.  And not until Defying Gravity was on Glee did I start to become obsessed and buy the soundtrack and start to love it.  I even broke the school gate by driving into it while listening to defying gravity!!

With just two weeks to go we decided to take SIL for her birthday.  Isn't it nice to have the excuse of other people's birthdays to do things you want!!  We went yesterday, Saturday 21st June to the matinee.  With help during paired reading from musical obsessed Mr B at school who has seen Wicked about 50 times, we bought 4 tickets.  Two were cheap side view seats and 2 were 6 seats along with good view.  As luck would have it, it wasn't full.  John and I were able to move over one seat at the beginning and then we were able to move next to family for the second half.

It was fun going into the green tinged Apollo Victoria and I resisted all mentions of Starlight when we were actually there.  Even the fact that there were bars areas at the back of the stalls where I imagine the 'tracks' were.  I wonder if they took seats out for the tracks and never put them back so put the bars instead?  ... Just had a long diversion to wikipedia and very excited to discover that there is still a permanent production in Germany.  Think I may be making my first visit to Germany :-)

I was excited by the setting over the proscenium arch, is that what it's called?  Lord of the Rings and Matilda are my favourite sets growing into the auditorium, but I liked that there was a dragon at the top who was all mechanical and scrap metal-y.  I was even more excited when the dragon started to move!  I had seen two men at the top of the stage sidings who were who were holding big spotlights.  And I had only been wondering recently if there were any people left who held and moved lights now, or if they were all computerised and I had lamentably decided they would be all computerised now so it was a very pleasant surprise that these men were here!  And then I saw the man on the left, our side, step away from his light to nearer the front of his little stage towards some ropes and he pulled them and that moved the dragon!!!

The musical was really good!  I had listened to the soundtrack a bit in the run up to going and I had got John to retell the Wizard of Oz as I wanted him to spot all the connections.  I remember the tin man bit being so shocking the first time I saw it.  So 'WOAH' and 'AHAAAA'.  I was all ready for it this time and it was weird how he was wheeled behind the wardrobe when watching for it.  There were many connections that I hadn't spotted last time.  Like the witch who was good with weather and caused the hurricane.

Defying Gravity lived up to its billing and was really powerful.  What a way to end the first half.  Loved her flying, very effective.  And the music really filled my chest.  Am sure there is a better description than that, but that's the closest I can come up with now.  That's how a judge a powerful and moving song/number.  It sure had it.

There were tears at the end of the second half, 'changed for good'.  What a situation for the two girls to end up in.  I don't fully know what I think of the moral of the storyline.  It sure is a tricksy one. 

After wards we came out and realised we were near the stage door so lurked for a little.  We realised we wouldn't recognise Elphaba when she wasn't green!  We did see Nessa, Fiero and Boc.  And the Wizard.

Super time had by all, even John who didn't think he was going to like it.  Afterwards we discussed where we thought it ranked for each of us and I said top 10 and was then challenged to do my top 10 and I came up with 9 so think it may well be time to list them!

Tuesday, 25 February 2014

Musicals - Ghost

The latest in the school musical outings to Oxford New Theatre, this was one I had heard about in London, but never got around to seeing.  I had never seen the film (which most of the people I went with were quite shocked about!) and didn't know an awful lot of what to expect.

I was sat with three others from school right nearer the front on the side.  I've got to say how much I absolutely loved the show and the experience.  It was fun, moving, dramatic, exciting, unexpected, clever and I left buzzing from it.  For some reason I didn't realise someone was going to die so that came as a shock and the circumstances, well!  And then the big reveal about his friend - even more crazy.  And I was amazed how I totally bought the changing of emotions between her state of mourning and then the laugh out loud parts of the psychic.  I really loved the variety.  And it was edge of your seat stuff following along with the story - I really didn't want the interval to happen - I wanted it to carry straight on!

And then there were all the technical sides of the performance.  It was amazing how the lighting managed to be so different on the ghosts.  And how he managed to walk through the door!  And the scene on the train.  I thought the other people were dummies and was thinking they were fairly life like and then they turned out to be real actors!  And I liked the big show numbers and dancing; that's often my favourite but of a show but not this time.  I did really enjoying the acting and performances.  The screens and projection of moving films was good too.


Thanks for organising another great outing, Mr B.  And thank you for putting on such a good show cast and crew of Ghost.  Seen Tuesday 25th February 2014

Sunday, 19 January 2014

London Theatres

While updating my musicals viewing blogs I got to thinking about London Theatres and was wanting to find out how their sizes compared.  I found this really good page about it where Jackburton has kindly collated the list for us.  Here is the information:


1) Royal Albert Hall
Kensington Gore, London SW7 2AP
  
"Ordinary Let maximum capacity: 3,901
Exclusive Let maximum capacity: 5,222  In 1871, to raise extra funds
for the completion of the building, private individuals were invited
to purchase 999 year leases on some of the seats in the Hall. Under a
Royal Charter, stating the basis on which the Hall operates, most
events are classified as Ordinary Lets and the Members are entitled to
occupy their seats. However, in some cases an event may be classified
as an Exclusive Let, and the Members are therefore excluded from their
seats. Such classifications are granted on a limited basis dependent
on the nature of the event. On such occasions the privately owned
seats are also available to the promoter for sale to the public."
http://www.royalalberthall.com/text_only/hiring/conditions.aspx
  
  
2) London Apollo Hammersmith Theatre
Queen Caroline Street, Hammersmith, London W6 9QH
  
"Total 3326 seats, with 298 standing places are also available, 120 in
the stalls, 178 in the Dress Circle, should the box office choose to
sell them. When all stalls seats are removed, around 3000 standing
places are created, taking venue capacity to about 5000 in total."
http://www.theatremonkey.com/HAMMERSMITHbooking.htm
  
  
3) Royal Festival Hall
Belvedere Road, London SE1 8XX
  
The Royal Festival Hall seats 2,900. 
The two smaller venues, the Queen Elizabeth Hall and Purcell Room seat
917 and 370 respectively.
  
  
4) London Coliseum - On the Town
8 St Martin's Lane, London WC2N 4ES
2356 seats
  
  
5) London Palladium Theatre
8 Argyll Street, London W1V 1AD
2286 seats
  
  
6) Apollo Victoria
17 Wilton Road, London, SW1V 1LL 
2208 seats
  
  
7) Theatre Royal, Drury Lane, Charlie and the Chocolate Factory
Drury Lane, London WC2B 5JF
2205 seats
  
  
8) Dominion Theatre
268-269 Tottenham Court Road, London W1P 0AQ
2171 seats
  
  
9) Royal Opera House
51 Floral Street, Covent Garden, London WC2E 9DD
2156 seats
  
  
10) Lyceum Theatre
21 Wellington Street, London WC2E 7RQ
2082 seats
  
  
11) Prince Edward Theatre, Jersey Boys
28 Old Compton Street, London W1V 6HS
1618 seats
  
  
12) Victoria Palace Theatre, Billy Elliot
Victoria Street, London SW1E 5EA
1517 seats
  
  
13) Adelphi Theatre 
Strand, London, WC2E 7NA 
1480 seats
  
  
14) Shaftesbury Theatre
210 Shaftesbury Avenue, London WC2H 8DP
1404 seats, on 3 levels
  
  
15) Palace Theatre
Shaftesbury Avenue, London W1V 8AY
1400 seats
  
  
16) Cambridge Theatre, Matilda
Earlham Street, Seven Dials, London WC2H 9HU
1283 seats
  
  
17) Her Majesty's Theatre
Haymarket, London SW1Y 4QR
1216 seats
  
  
18) Piccadilly Theatre
16 Denman Street, London W1V 8DY
1200 seats
  
  
19) Open Air Theatre
Inner Circle, Regents Park, London NW1 4NU
1187 Seats
 
  
20) Barbican: Theatre 
Silk Street, London EC2Y 8DS
1160 seats (Barbican Theatre)
  
 
21) Prince Of Wales Theatre, Mamma Mia
31 Coventry Street, Leicester Square, London W1D 6AS
1160 seats on two levels
  
 
22) Savoy Theatre, Cabaret 
Savoy Court, Strand, London WC2R 0ET
1158 seats
  
 
23) Aldwych, Dirty Dancing
49 Aldwych, London, WC2B 4DF 
1129 seats on 3 levels
  
  
24) New London Theatre
Parker Street, London WC2B 5PW
1102 seats
  
  
25) National Theatre Olivier
South Bank, London SE1 9PX
1100 seats
  
  
26) Strand Theatre
5 Aldwych, London WC2B 4LD
1068 seats
  
  
27) Old Vic, The
Waterloo Road, London SE1 8NB
1067 seats
  
  
28) Peacock Theatre
Portugal Street, London WC2A 2HT
1037 seats
  
  
29) Phoenix Theatre, Once
110 Charing Cross Road, London WC2H 0JP
1000 seats
  
 
30) Queen's Theatre, Les Miserables, Les Miserables
Shaftesbury Avenue, London W1V 8BA
990 seats
 
  
31) Lyric Theatre Shaftesbury
29 Shaftesbury Avenue, London W1D 7ES
932 seats
  
  
32) National Theatre Lyttelton
South Bank, London SE1 9PX
900 seats
  
  
33) Shakespeare Globe Theatre
21 New Globe Walk, Bankside, London SE1 9DT
Audience Capacity: 900 (650 standing in the yard)
  
  
34) Gielgud Theatre, The
Shaftesbury Avenue, London W1V 8AR
889 seats
  
  
35) Theatre Royal Haymarket
18 Suffolk Street, Haymarket, London SW1Y 4HT
888 seats
 
  
36) Albery Theatre, now Noel Coward Theatre, Million Dollar Quartet
St Martin's Lane, London, WC2N 5AU 
872 seats and 21 standing, on 4 levels
  
 
37) Playhouse Theatre
Northumberland Avenue, London WC2N 5DE
800 seats
 
 
38) Comedy Theatre
6 Panton Street, London SW1Y 4DN
796 seats
  
  
39) Apollo Theatre
31 Shaftesbury Avenue, London, W1V 7DH 
775 seats
  
  
40) Wyndham's Theatre
Charing Cross Road, London WC2H 0DA
750 seats
  
  
41) Vaudeville Theatre
404 Strand, London WC2R 0NH
690 seats
  
  
42) Garrick Theatre
2 Charing Cross Road, London WC2H 0HH
678 seats
  
  
43) Duke of Yorks Theatre
104 St Martin's Lane, London WC2N 4BG
650 seats
  
  
44) Whitehall Theatre (Trafalgar Studio)
14 Whitehall, London SW1A 2DY
646 seats
  
  
45) St Martins Theatre
West Street, London WC2H 9NZ
550 seats
  
  
46) Criterion Theatre
Piccadilly Circus, London W1V 9LB
591 seats
  
  
47) Young Vic and Young Vic Studio
66 The Cut, London SE1 8LZ
The theatre ('Main House') can seat up to 500 / The Studio can seat up to 90
Combined total: 590
  
  
48) Duchess Theatre
Catherine Street, London WC2B 5LA
470 seats
  
  
49) New Ambassadors Theatre
West Street, London WC2H 9ND
450 seats
  
  
50) Fortune Theatre
Russell Street, London WC2B 5HH
440 seats
  
  
51) National Theatre Cottesloe
South Bank, London SE1 9PX
400 seats
  
  
52) Royal Court Theatre & Jerwood Theatre
Sloane Square, London SW1W 8AS
395 seats
  
  
53) Arts Theatre, The
6-7 Great Newport Street, London WC2H 7JB
358 seats
  
  
54) Venue theatre, The (Formerly Notre Dame Hall)
5 Leicester Place, Leicester Square London WC2H 7BP
350 seats
  
  
55) Donmar Warehouse Theatre
41 Earlham Street, London WC2H 9LD
252 seats
  
  
56) Barbican: Pit Theatre
Silk Street, London EC2Y 8DS
190 seats (The Pit Theatre) 

Saturday, 18 January 2014

Musicals - Cats

I was excited to see for most of the year that the Christmas production at the Oxford New Theatre was to be Cats.  And I decided that I would like to go and see it and as John wasn't that interested I used the Chickbeans Christmas money to take myself on the eve of the last day of term.  And using Mr B's discount and choosing a restricted view seat (that wasn't really and I moved for the second half) I only spent £15.  I was very excited to be going again.  My three previous visits are briefly described in My Musicals Love.  I wasn't too sure how the show would live up to my expectations.  I was both highly excited about it and at the same time saying it really wasn't going to be that great.

Fortunately, it was excellent!  I loved the music (not every song, it does have some lower points), the cats movement, the costumes.  I spent a lot of it counting how many cats are on stage at any one time and realised that lots of them play many parts.  I was also trying to work out which one was Mr Mistofelees.  There were some bits I remembered but lots and didn't, and some bits that happened which then produced an inkling of recognition, like the giant boot falling onto the stage early on.  I still loved Mr Mistofelees and I also enjoyed Rum Tum Tugger more than I remembered - it was his Elvis bit.  I also enjoyed the suspense of Macavity and I liked Skimbleshanks which I remember 'discovering' last time I went in Oxford at uni.




There was a funny bit during Magical Mr Mistofelees when a cat had been sitting on a drain pipe and most of the cats were looking at her including Rum Tum Tugger who had been leading the song.  She came off the pipe towards Rum Tum and he said, rather than sang, 'get back on there' and then turned to the audience and said 'sorry' and then the cat went back to the pipe and a magic trick happened.  It was all quite strange and I guess it had been a mistake.

I came running out of the theatre to where John was waiting for me and I was on such a wonderful high.  When I got in the car John played me a bit on the radio where the breaking news was the collapse of the roof in a West End Theatre.  It was quite spooky and brought me back down to earth.  Fortunately no one was killed.

Musical - Charlie and the Chocolate Factory

After enjoying Matilda and Billy Elliot, we were thinking of going to see the new production of Charlie and the Chocolate Factory that had opened in the Spring and had quite a lot of hype.  We then found out that they were doing a special Children in Need Gala Performance of it so we decided to try get tickets for that.  So on Thursday 7th November, I got on my gladrags in the staff loos and we headed off to London and met the same friend we had seen Billy Elliot with.  There was a red carpet at Theatre Royal Drury Lane but sadly we weren't allowed on it and we made our way up to the rafters.


The show was very good.  Lots of big and clever sets - I really liked the TVs that they met the golden ticket winners in.  The first half was all about Charlie at home and everyone winning the tickets.  The finale of the first half was getting to the factory but you didn't go to it till the second half.  It seemed like quite a long build up to it.  The first view of the chocolate land was good, but not good enough in my opinion.  It was like a stand alone island so it didn't encompass the walls of the theatre which disappointed me.  There were lots of clever effects with big film screens.  Including the opening which was a Quentin Blake cartoon on how chocolate is made on sort of the curtain.  It was exciting that Wonka was Douglas Hodge who we sort of knew and he was very good.  The oompa loompas were clever and did lots of good puppetry sort of things.  The Great Glass Elevator was special at the end.

At the very end we were excited that Pudsey and Terry Wogan came on to the stage and were presented with a cheque by the cast for a lot of money - can the show really make half a million in one night?

Just after we saw the show a series started on Channel 4 called the Sound of the Musicals about West End theatre.  The first episode was all about Charlie so it was interested to see how it was made.